Pressure Cooker – Simmering Ska and Reggae from Beantown

Pressure Cooker - Original Reggae Music

Boston’s Pressure Cooker has been performing and recording for over 10 years now, and has five albums under its belt, quite an accomplishment for just about any band, let alone one that focuses on old-school reggae and ska.

From the opening notes of just about any of their songs, the listener is immediately tipped that this band delivers excellent musicianship. Songs like “Burning Fence” showcase the power of the horn section, with rich harmonies and strong solo pieces. “Nuthin’ Better” opens with a surprising piano line that draws you into the song. The understated yet punchy horn accents provide a nice counterpart to the piano.

Presure Cooker performs primarily in the New England area, but has branched out as far west as Chicago. In addition, the band has supported such notable reggae acts as Toots & The Maytals, The Skatalites, Gregory Isaacs, and Culture.

Check out the band’s website by clicking here and you can listen to streams of their mp3’s. You can also click here to access their discography page, which features links for purchasing albums via CDBaby.com and iTunes. Definitely worth adding to your collection if you appreciate well-crafted old-school ska and reggae!

Band website: http://www.pressurecooker.net/

Bluebeat Lounge Presents California Roots Ska, Rock Steady and Reggae

bluebeat_lounge_08082008If you’re in the Los Angeles area this Wednesday, August 6th, be sure to head over to The Knitting Factory for the latest Bluebeat Lounge presents…

“…a great bill of California roots ska, rock steady and reggae. No big surprise – Chris Murray Combo will be headlining. We’ll come up with a nice surprise for the set though!!
http://www.myspace.com/chrismurray

In the middle slot is Boss 501, featuring Esco Chris, long time friend of Bluebeat Lounge. Boss 501 hails from Chico and Esco has been working hard to raise awareness of the music we all love in his new hometown by promoting and hosting monthly live shows. The band will be doing some recording on their way down south with Brian Wallace in Atascadero. expect some new material in the set, and a band that is pumped from having just been in the studio.
http://www.myspace.com/boss501

Opening the night are The Sidecars Plus! led by Abram, who many will know from his long running website Rude Roots. Abram is totally a roots purist, like many of us. Expect a great set of tasty vintage vibes.
http://www.myspace.com/thesidecarsplus

This is going to be a very sweet show. Come early to be sure you get in and catch every minute.
Peace,
Chris”

"The Upbeat" – A Utah Ska Documentary

the_upbeat Coming out this summer, “The Upbeat” is a documentary chronicling the Utah ska scene, and features interviews with Toots Hibbert, Robert “Bucket” Hingley, Buster Bloodvessel, and well-known Utah ska bands like Stretch Armstrong and Model Citizen.

According to producer/director/editor Brandon Smith, the film’s genesis was initiated by “…an interview from Buster Bloodvessel, after an AMAZING Bad Manners show,” which led him to interview many other artists and bands. Besides perhaps becoming the next Ken Burns, Brandon also plays tenor sax in Salt Lake City’s The Upstarts, and tells us, “At the same time I was taking the camera with me to band practice…” as the band was recording its debut album. He continues, “[we] were concerned with the current state of the ska scene in Utah.” With the release of The Upbeat, Brandon helps preserve the legacy of ska music in Utah, which had a very strong scene in the 1990’s. Brandon says his approach to making the films was to “…dive into the history of ska in Utah, and [I] got an enormous amount of help from those who experienced the phenomenon firsthand.”

Judging by the trailer, this looks like a well-produced and well-thought out film that touches on many aspects of the Utah ska scene, including its influence in the Mormon community.

 

The Upbeat Official website: http://www.theupbeatmovie.com/

The Upbeat on MySpace: http://www.myspace.com/theupbeatmovie

The Upstarts on MySpace: http://www.myspace.com/upstartska

9 Questions With…Rude City Riot

rude_city_riot_logoVancouver’s Rude city Riot are one of the newest ska bands to grace the North American music scene, yet their recently recorded EP shows all the signs of a tight-knit group of musicians who simply gel together, even though they come from varying musical backgrounds. When listening to their music, it’s evident that the band’s diverse make-up allows them to float seamlessly between ska, reggae and hard-edged pop-punk.  Hope you enjoy the latest in our “9 Questions With..” interview series.

 

Q: So tell us a little bit about the band’s background – how you got together, how long you’ve been playing together, what the band members did before RCR, etc.

A: We wish there was a cool story to tell you about how we all got together, but the truth is, we all met through Craigslist. Scott F. (bass) wanted to start playing again after a 23 year break, so he put the first ad out and quickly met up with Carl (drums). Dusty (vocals) and Scott A. (guitar) were friends before the band started, so they came as a package, which made the creation of the band somewhat easier. Scott A. comes from a rock and metal background, so he brings a fairly dynamic style to the band. Kevin (trombone) and Richard (sax) came shortly after. Both play in other jazz and R&B bands around town and were a welcome addition. Once we started jamming it just worked from there. We’ve been together for about 8 months now, and even though that’s a relatively short period of time, we feel we’ve accomplished a lot.

 

Q: Your sound varies between more straight-ahead ska and ska-punk. Can you talk a little bit about how you mix those styles when writing songs?

A: We have a bit of an age difference in the band, so naturally we have different tastes in music. Even though we all love ska and reggae, we like different waves, or eras, of it. Some might say that’s a bad combination, but it seems to have  worked for us so far. When we play a show, we see people of all ages dancing to the music and having a good time. We have a very honest approach to song writing; just let the ideas flow, and we’ll either keep working at a song until everyone is happy or we’ll trash it.

 

Q: What is the ska scene like in Vancouver these days, or for that matter, across Canada? Have you traveled outside Vancouver at all?

A: Vancouver has a pretty healthy ska scene, with a strong and supportive fan base that seems to be growing. There’s also the Victoria Ska Festival, which is a big annual ska event that attracts some internationally known groups like The Skatalites. We haven’t traveled outside of Vancouver yet, but who knows what the future holds?! For now, we can only hope the rest of Canada is the same as it is here.

 

Q: Your MySpace page says that you are currently unsigned. Any plans to pursue a record label for your next release?

A: Well, after paying out of our own pockets for the first record, we would definitely like a label to pay for the next one! *laughs* All joking aside, we would like to work with a label, but we want to make sure we’re with the right people. We’ll see what responses we get from our current recordings and cross that bridge when we get there.

 

Q: Are you currently recording for an album? Anything you’d like to mention about the recording process, or any details about what you’re working on?

A: We’re just wrapping up our EP which should be released some time in August. We’re pretty proud of it. A lot of work was put into it and we hope the quality shows. We selected songs that we believe demonstrate our diversity, and were fortunate to have a friend, Alex “Condor” Aligizakis, as our Producer. He’s a first rate, no-nonsense guy who has worked with some big names. He has a great ear and really helped us dial in our songs.

 

Q: Ska music seems to be gaining a more organized online presence with sites like skatoob.com and skaspot.com. Any thoughts on how the internet in general has influenced the way bands promote themselves?

A: It’s exciting to see ska music making more of an impact online, and we hope it shows there’s a bit of a rejuvenation happening. Networking sites like Myspace, Facebook, ReverbNation, etc. are great resources for musicians looking to promote themselves, and this interview is a good example of how it works.

 

Q: You mention that your first performance was at Vancouver’s Ska-A-Thon. Has this continued to be a monthly event, and are events such as this a new idea for Vancouver? (It seems like various cities around the US are starting to have somewhat regular shows like this to help promote ska music).

A: There are a few regular ska shows going on in Vancouver. They’re not necessarily a new idea, although the most recent of these shows, “The Evolution of Ska”, is pretty kick-ass. It’s held every Monday at The Biltmore and is essentially an “open to the public” production rehearsal where BC ska all star bands create and perform songs that tell the history of ska… from Jamaica, to the UK, to North America. Dan Cowan is the main man behind a lot of these shows; he’s been a music industry professional for over 40 years and has done an amazing job promoting ska music. We have a tremendous amount of respect for Dan.

 

Q: What, if any, commercial appeal does ska music have in Canada at the present? Is ska considered an underground music scene, and if so, do the bands and fans want to keep it that way, or see it grow?

A: Ska has a certain amount of commercial appeal in Canada, but mostly in radio spots and TV ads or themes. We don’t necessarily think of ska as “underground”, but it definitely has a way to go before it reaches mainstream status. Whether the Canadian ska scene wants that to happen or not really depends on who you ask. We obviously can’t speak for everyone, but we would definitely like to see it grow.

 

Q: Any thoughts on where ska music might be heading, as far as musical style, evolution, mutations, etc?

A: There are some interesting fusions or mutations happening on the alternative rock side of things with bands like illScarlett; perhaps that style will be adopted by more bands.
No matter what changes happen though, there are always other bands pushing the opposite end of the spectrum. It’s always hard to tell where music might be heading or when it’s going to “evolve”, and that’s especially true with ska music since it’s so versatile. That’s one of the many things that makes ska so great!

Check out Rude City Riot Online:

Myspacehttp://www.myspace.com/rudecityriotFacebookhttp://www.facebook.com/pages/Rude-City-Riot/11357498385

Green Room Rockers – Indiana’s Next Big Thing?

green-room-rockersI’m starting to sense a buzz about this band, and there is a good reason for it. GRR is producing some of the best soul-inspired reggae and ska in the US right now, and they’re about to embark on a west coast tour that will sees the band dip into Texas and then attack California in August.

The music has a strikingly fresh sound to it, especially considering the band’s revivalist sound. The soulful vocals backed by the solid vibe of the band combine to create mix of reggae and ska that should appeal to a wide variety of listeners – anyone who likes good quality ska, reggae or soul will find something they like here.

Check out the Green Room Rockers MySpace page  for music, tour dates, and general band info. Be sure to pick up a copy of their debut album, “Hoosier Homegrown“,  and while you’re at it, grab  a limited edition t-shirt. And definitely try to catch them live in support of their upcoming tour. Remember, bands make their living by playing live, so getting the people out to the clubs is a must!

 

Official website: http://www.greenroomrockers.com

9 Questions With…Mustard Plug

mustardplug_2a We’re really pleased to present the third installment in our interview series; a quick chat with one of the midwest’s longest-running ska bands, Mustard Plug. Guitarist/vocalist Colin Clive was kind enough to spend his valuable travel time answering these questions, and has our thanks!

Q: You guys have been around for 17 years, from humble beginnings in Grand Rapids to national and international tours. What is different about the overall experience for you now, vs. the old days when you were younger and chomping at the bit?

A:  hmm.  well the main differences that come to mind is that there is usually more “free” beer than there was back in the day.  that’s not to say it’s always “free” but the likelyhood of there being some is definitely a lot higher.  the existence of cell phones, computers, portable gaming systems and all that other modern technology has also made traveling a whole lot nicer.  no longer are you completely shut off from the things you usually do on a day to day basis when your home.   it’s a lot easier to keep in touch with your family and friends.  it’s almost like they get to travel along with you rather than you being completely gone.  you can share all the things your do and are doing in real time.  it’s pretty weird.  i definitely don’t miss trying to find a pay phone to call home either.  that sucked.

Q: Has the band ever considered breaking away to a different musical sound/style? Do you think you may ever take the band in a different direction musically, even if for just one album?

A:  i don’t think that completely breaking away from our ska/punk origins has ever crossed our minds.  it’s a style of music that we loved before starting the band and continue to enjoy today.  i think we try to keep things interesting every album and throw a little more ideas into the pot but as far as abandoning the genre completely i don’t think that could happen.  mustard plug loves playing ska/punk for better or worse.  sorry if you were hoping we’d put out an alt/country.

Q: You recently played shows with Voodoo Glowskulls and The Aggrolites. How does it compare playing shows with a ska-core band versus a band that is more traditional reggae? Any different in the crowd reaction or vibe for you?

A: i think in this day and age the differences are very small between ska-core crowds and more traditional ska crowds.  back a few years there was definitely a bigger separation in the crowd but today i think most people enjoy the diversity.   i personally enjoy the different styes immensely!

Q: Do you still consider the band a full-time obligation, or is it something done more in your spare time now? Any plans for further international tours?

A:  being in the band is still definitely a full-time obligation although it doesn’t pay quite as well as a normal full- time job.  we all pretty much work our schedules around the band because it’s that important to us and it’s something we really love to do.  unfortunately that involves working weird part time jobs and filling in the blanks as far as income goes but that’s just part of the music business i guess.  if you really enjoy something sometimes it takes a little sacrifice to make it work.   as far as international tours goes we’re always ready to take a little trip somewhere.  send us some plane tickets!

Q: Your website mentions the resurgence in ska that seems to have began about 4-5 years ago with the Ska Summit show in Las Vegas. Being at that show, I remember it felt like a historic moment for ska music in the U.S., with all those bands and fans converging in one place. Do you think ska music has cemented itself as a viable musical force, instead of just a musical fad that rears its ugly head every 10 years or so?

A:  i think ska is, has been and will continue to be a viable music force in society.  whether it’s visible in the main stream or not is one thing but it’s not like it ever goes away to the fans.  i’ve liked ska since i first heard the specials and madness back in the early 80’s or so and have never stopped liking it or ever thought it went away.  it can’t go away cause there’s so much that exists.  i’m sure there are at least a few people that feel the same way.

Q: Your latest album, “In Black and White,” was released in 2007. Are you currently working on any new musical projects? Any plans to release another album in the near (or not too near) future?

A:  we don’t like to plan that far ahead.  especially right now with summer upon us.  it’s time for bbq’s, beaches, deck parties, etc!  michigan doesn’t get much good weather so during that time it’s all about enjoying it.  ask me again in november or so.  :)

Q: Music scenes in the U.S. tend to be somewhat separated by geography – west coast, midwest, east coast. Do you notice any major differences between the scenes, fans, musical styles, that develop in these regions? Do you feel a sense of commeraderie with other midwest bands?

A:  the midwest is definitely the best.   that’s not to say the east coast and west coast are bad it’s just that someone has to step up as being the ultimate best.  the coasts are  always trying  to outdo each other anyway that i think they forget about how awesome the midwest is.   we do have chicago and detroit and that combo has definitely brought a lot to the table.

Q: When you’re out on the road, do you manage to find time to keep up with your online presence – MySpace, email, website, etc? Are you able to see an impact on your ability to keep in touch with fans vs. the old days when most people hadn’t even heard of the “interweb?”

A:  ha.  i’m the worst at keeping up with myspace and email.  i always have good intentions to write more blogs and post more pictures but in the end it always fails.  i’ll continue to try to improve but i make no promises.  i think if myspace sorted out their programs a little bit and made it easier to respond to emails and enter show information and what not i’d be more inclined to keep up with it but every time i try to get into it it just makes me mad.  it’s such a slow tedious process and really cuts into my fun time.  sorry.  i will try harder but remember if i’m not doing it it’s because i’m having fun and i know you all don’t have a problem with that.  right?

Q: This isn’t really a question, but please feel free to “plug” anything you’d like here: website URL’s, upcoming stuff we should know about, etc. Thanks!

A:  hmm..  website is www.mustardplug.com,  myspace is myspace/mustardplug,  we’re playing tons of shows this summer.  the most recent is an upcoming tour thru florida with less than jake.  our newest record “in black and white” is available on LP now.  our van sucks so if you happen to own a car dealership and want to get us a sweet deal on a new 15 passenger van or Sprinter that would be awesome.  i guess that’ it.  have fun everyone and come see us next time we come thru town!

It’s Up To You – Get Ready for The Specials Reunion 2008

In anticipation of The Specials upcoming reunion, you may find yourself wanting to get up-to-speed on the band’s music, videos and even do some light reading. Check out the following sources and you’ll be able to impress friends at cocktail parties in the months leading up to this highly anticipated and long-rumored event.

In case your old vinyl records, cassettes or CD’s got tossed out along with your creepers and pork-pie hat, you’ll want to pick up The Best of The Specials. This two-disc set features 36 of the best tracks from the bands’ first two albums, as well as the haunting single “Ghost Town” and some lesser-known but worthwhile tracks from the Special AKA “In The Studio” album. In addition, there is a DVD containing video and live footage of the band during their hey-day.

Speaking of video, YouTube has an official Specials page containing 15 videos – a couple of which are live – including “Ghost Town”, “Gangsters” and the classic “A Message To You Rudy.”

Now, if music and video is not enough, you can pick up a copy of bass player Horace Panter’s book Ska’d for Life: A Personal Journey with The Specials. The book is somewhat of a diary of Panter’s time with the band, and should prove interesting for fans both old and new.

No word yet on what the reunion will consist of, although anything more than tour dates (another studio album perhaps?) is probably wishful thinking. Let’s hope they will make their way back to the U.S. Having seen the two re-incarnations of The Specials back in the 1990’s, I can say that they put on a great show, even without two key members in Terry Hall and Jerry Dammers. Since most of the members seem to have kept their chops up by consistently performing in various solo efforts and spin-off bands for the last couple of decades, I would expect nothing less than an incredible live show with an energy that should be explosive. Given the troubled world we all live in, it seems like a good time for a band with the biting social commentary of The Specials to return to the stage.

Album Review – "Spaceship Knifefight" by Marx Revolution

This album blasts out of the gate with a short but aggro song called “Aderol” that is total metal, which caught me by surprise, even though the band describes themselves as “…essentially a ska band with very heavy punk and metal influence.” From there, the album slides into a more extreme ska-core sound, featuring songs that are very fast and very punk/metal, with only brief infusions of ska guitar, and sprinklings of horn lines throughout.

According to alto sax player Aaron, the album was self-recorded at  a studio on the campus of the University of New Haven. While I do commend the band for taking on such a project themselves, I would suggest that they re-visit some of the tracks, and possibly get some outside help re-mixing it. On many of the songs, I get the feeling that the overall “listenability” would be helped by tweaking the mix. This can make a big difference between having an album that grows weary after a couple of listens, and an album that you will want to listen to over and over again. In addition, the horns often sound out of tune. Playing horns on top of this style of music is a challenge, but you have to start with good tuning or it just sounds sloppy.

The guitar work is strongest when the band is playing its heavier, chunkier stuff, and the guitar, bass and drums do sound fairly tight together.

A bright spot on the album is the title track, which is a slower, reggae song featuring a flange-heavy guitar.

Overall, not a horrible effort considering its a first album and entirely DIY, but the album suffers from some awkwardness brought on both by the production value, and possibly from a group of musicians that is still working to find its true sound.

You can check out Marx Revolution online at www.myspace.com/marxrevolution.

UK’s Catch-It Kebabs Giving Away New Single

catch-it_kebabs

From the band…

Catch-it Kebabs from Yorkshire in England are one of the hardest working bands on the UK scene, notching up over 100 gigs a year . This year sees the 18-legged ska-beast turn 7 years old, and to celebrate this they are giving away their *NEW SINGLE* for *FREE* for 1 month prior to the release. To get this *FREE* goodies all you have to do is register before the 27th June!

You can register by visiting: www.catchitkebabs.co.uk and filling the form in (Takes 30 secs max.), and you will receive the track on the 28th/29th June just before it’s official release.

We are also building up a database of peoples age, music pref etc. so we can build up an idea of the current scene. So please reply to your email and help create the ska census 2008.
Thanks guys.
Jamie
Feet First Records
info@feetfirstrecords.com

Ska Web 2.0

skaspotlogo2

Ska music is starting to gain more of a modern web presence with the launch of sites such as SkaPedia.com and SkaToob.com. As you can probably guess, these websites seek to emulate the success and popularity of behemoths WikiPedia and YouTube, albeit with a focus on ska bands and music.

SkaPedia.com is a standard wiki site, and it looks like (based on some band searches) much of the content comes directly from WikiPedia – not an uncommon practice in the wiki world. Still, there does appear to be original content, and SkaPedia does not have some of the silly restrictions regarding what content can be included in a wiki page. Hopefully the wiki-nazis won’t take over like they have at WikiPedia.

SkaToob.com appears to have quite a bit of content, and its focus on ska music means that people looking for ska videos don’t have to filter through the immense collection at YouTube just to find footage of their favorite underground ska bands. I think this is a great idea for a website – someone looking for ska videos is presented with focused content, and will be more likely to find what they are looking for, and possibly get turned onto something new. Sure, SkaToob will not boast the viewership numbers that YouTube has, but then again, ska is a fairly niche market. Just because you’re on YouTube, doesn’t guarantee that millions are going to see your video.

Both sites are part of the SkaSpot network.